Mostly audio stuff
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title: "Neon Odin - Allfather"
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date: 2025-12-12
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date: 2025-01-12
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tags: ["album"]
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description: ""
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cover: "cover.jpg"
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Neon Odin's _Allfather_ feels like mythology filtered through analog circuits and a CRT glow (much like myself). The album merges darksynth with handcrafted Nordic folk instruments - talharpa and nyckelharpa built by the artist himself - creating something that shouldn't work but absolutely does.
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Tracks like "Wield The Hammer" and "March Of The Jǫtnar" pulse with vintage synthesizers while maintaining an almost ritualistic weight. There's a devotion here to both the Æsir and 80s electronics, and the combination taps into something primal about storytelling through sound.
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This is retrowave that refuses to be purely nostalgic, grounding its neon-soaked atmosphere in actual craftsmanship and ancient narratives that really resonate.
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Favourite Track: Wield The Hammer
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Rating: 7/10
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description: ""
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cover: "cover.jpg"
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Ninajirachi's _I Love My Computer_ captures something truthful about growing up shaped by screens and bandwidth. The album explores that strange intimacy we developed with our machines - the late nights, the secret discoveries, the way technology became less of a tool and more of a companion.
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Tracks like "Fuck My Computer" and "iPod Touch" aren't just bangers; they're confessions about a relationship that transcends generations. Whether you learned HTML on Geocities or taught yourself production in GarageBand, there's recognition here.
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The production has a restless energy, shifting between euphoric and introspective, mirroring how the internet itself feels—chaotic, isolating, and strangely beautiful all at once. It's a debut album that understands what it meant to have your world widened by a glowing rectangle - and I relate deeply to its content despite being at least one generation older than Ninajirachi.
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Not my usual genre of listen, but it has been a regular spin since it came into my world.
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Favourite Track: iPod Touch
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Rating: 8/10
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